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Along the way, the characters occasionally stop what they’re doing to burst into musical numbers (including “Back in the Saddle” and “Yankee Doodle”), and the women are constantly fussing with such vintage technology as reel-to-reel tape recorders and phonograph turntables. The two-level stage features a playing area beneath a stage so steeply raked at 45 degrees that one simultaneously admires the performers’ athleticism and fears for their safety.
Unfortunately, “Atlantic” is a more visceral than intellectually interesting experience, with whatever satirical points the piece is trying to make obscured by its silly absurdist situations, hoary jokes, willful linguistic obscurity and general air of self-indulgence. Although it runs a scant 90 minutes, it feels much, much longer.
Director Elizabeth LeCompte has whipped her company into terrific shape with her usual disciplined precision, and whatever one thinks of the text, there’s no denying the incredible focus and commitment of the performers. Both guest artists meld beautifully with the rest of the troupe: McDormand is terrific as a tough-minded master sergeant, and Tierney has great moments, especially with her impersonation of a heavily accented French prostitute.

See the full article from “Reuters”